Biography
“…Shaul Bustan’s music blends European symphonic richness with Middle Eastern flair, punctuated by cinematic touches. His Oud playing, ranging from gentle melodies to rhythmic bursts, beautifully embodies his message of cultural fusion.” nmz — neue musikzeitung
Composer, conductor and oud player Shaul Bustan was born in 1983 in a small kibbutz in the Negev desert of southern Israel. Growing up between his mother’s Persian heritage and his father’s Eastern European background, he was shaped early on by two distinct cultural worlds. This dual influence became the foundation of both his musical language and his artistic curiosity, allowing him to move naturally between cultures, genres, and traditions.
Today, Shaul is based in northern Germany, living close to water and forest. The surrounding landscape has quietly entered his music, shaping its atmosphere and sense of time.
“Seagulls circle above a soundscape woven from the waves of the fjord. A ship approaches. It hums, pushes itself into the field of sound (…) We hear how a place breathes.” kulturkanal.sh
After earning his Master’s degree in Composition from the Jerusalem Academy of Music and Dance in 2009, Shaul began composing actively for orchestras, ensembles, and interdisciplinary projects. His work often unfolds as a dialogue between carefully shaped form and open improvisation, creating music that feels both grounded and alive. His compositions have been performed by ensembles and orchestras such as the Israel Philharmonic Orchestra, the Wuppertal Symphony Orchestra, the EOS Chamber Orchestra Cologne, the German Chamber Orchestra Berlin, the Los Angeles Jewish Symphony, the Jewish Chamber Orchestra Hamburg, the Meitar Ensemble in Israel, the Tiroler Ensemble für Neue Musik, and the Tapiola Choir in Finland. He has also written for soloists including Avi Avital and Giora Feidman, and has worked with the conductors Bar Avni and Susanne Blumenthal.
One of his main concerns in recent years has been to bring non-European music and culture onto the classical stage, and the oud (a Middle Eastern short-necked lute) is how he does it. Not as a contrast or provocation, but as a bridge. This idea also shapes his work as a performer. With his trio, he tours widely across Germany and has appeared at renowned venues including the Schleswig-Holstein Musik Festival and Radialsystem Berlin.
A key milestone in this journey was the 2023 premiere of his orchestral work Winter, where Shaul appeared as oud soloist with the German Chamber Orchestra Berlin in the Great Hall of the Berliner Philharmonie—bringing his cross-cultural sound into one of Europe’s most iconic concert halls.
This spirit of exchange also led him, in 2021, to found Ensemble Flensburg, a cross-border ensemble dedicated to communicative new music. As its musical director, Shaul curates projects that emphasize collaboration, openness, and dialogue, presenting new works by composers from around the world.
Education and community building naturally flow from this artistic practice. For more than twenty years, Shaul has conducted choirs and amateur orchestras, led workshops, and built musical communities rooted in togetherness and shared curiosity. From the winter semester of 2026 he teaches at the Europa-Universität Flensburg, where he directs the Junges Ensemble Flensburg, a newly founded chamber orchestra for students. In recent years, he has brought a new wave of projects to the far north of Germany—most notably Weltivale (2024), a mini-festival for new world music in Flensburg. With his non-profit organisation Tacheles Kultur he brings new cultural projects to life and internationally renowned artists to the city. Alongside his compositional and educational work, Shaul is currently writing his first book on composition, I, Compose?! (working title). The book is conceived as a friendly, accessible guide for amateurs, students, and professional musicians, encouraging confident first steps into composing.
His work has been recognized with several awards, including Best Music at the International Film Festival of Ahmednagar (India, 2021), First Prize at the International Tapiola Choir Choral Composition Competition (Finland, 2020), and scholarships from institutions such as the German Music Fund, the German Music Council, the Berlin Senate, the Cultural Foundation of the State of Schleswig-Holstein, and the America-Israel Cultural Foundation.
Across all of Shaul’s work, one thread remains constant: a deep belief that music can bring distant worlds closer together—not by smoothing out differences, but by letting them speak to one another with honesty, curiosity, and joy.
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